In the behind-the-scenes documentary featured below, a baby-faced Ramsey is seen sketching out some of the film’s gothic imagery. Ramsey is also interviewed on camera, explaining how the director encouraged him to study classical artists in order to get into their heads and push his own limits.
Today, Coppola doesn’t remember Ramsey as a star-eyed apprentice. “Even then Peter had a very endearing personality. Kind, caring and always trying to be helpful. I consider him a friend,” Coppola said. Vanity Lounge. “I remember we were sitting in desks with rows and rows of Peter’s drawings and the team’s storyboard, and the production managers and I constantly refer to them during the pre-production and production of the film. It was an integral part of Dracula. “
Being the point of connection between a filmmaker and his creative team became Ramsey’s film school, and he remembers Coppola providing vital encouragement even when he had doubts about his own dream. “There was a story I’ll never forget,” Ramsey said. “One day some executives from Sony came over and I started packing my things and he said, ‘It’s okay. You can stay, you can stay. They set down and had a meeting right there in the room. I was drawing, like a little mouse in a corner. There was some budget stuff going on, and I was like, Wow, does he still have to deal with this? It’s crazy that they just don’t give him what he wants, because he’s a God.
“So the meeting was interrupted and I’m sitting there drawing, trying to pretend I’m not listening. Francis puts his hand on my shoulder and says, “I wanted you to be able to see what these meetings are like and hang out.” And then he adds, “As a young director you have to know how things work with the studio.” I swear to god, I think a tear probably fell, because I was like, Oh my god he takes me seriously.
“From my experiences working with Peter, it was clear at the time that he was a great talent and very collaborative,” said Coppola. “His pioneering status does not surprise me, and I am delighted that he has found success as a director.”
What Ramsey didn’t expect was that his big breakthrough would also be a major setback.
Chapter 3 – THE RISE (AND FALL) OF THE GUARDIANS
Ramsey’s writing career was going well and life was good. He was married and was raising three children. He’s become the go-to guy for blockbusters and award contenders, storyboarding Independence day and Godzilla with Roland emmerich, Fight club and Panic room with David Fincher, Adaptation and Being John Malkovich with Spike Jonze, and Castaway with Robert Zemeckis. The guy who came out of HEY with a new appreciation for cinema worked alongside Spielberg on both Artificial Intelligence AI and Minority report.
What he discovered was that the biggest hits didn’t always change his life. Sometimes it was the little movies, like the 1995s Tank girl. Aron Warner, executive producer of the film, then headed a Silicon Valley-based computer animation company named Pacific Data Images.
PDI was eventually acquired by DreamWorks and Warner wanted Ramsey to help them develop their films. “He said, ‘I’m working on this thing called Shrek and it’s kinda crazy, ”Ramsey said. “Back then, I’m pretty sure I was working on Fight club. I was like, ‘Hey, shmanimation animation, I’m making real movies! So thank you, but no thank you. ‘”Afterwards Shrek won the first Oscar for best animated film and Shrek 2 established DreamWorks as a giant, Warner reached out again. This time, like in Coppola’s famous film, it was an offer he actually couldn’t refuse.
“Aron said to me, ‘Look, I really would like you to come out. I think your skill mix would be great. And I think DreamWorks would be a great place for you to get a shot, ”Ramsey said.
Ramsey quickly became the head of the company’s story, then directed a TV special based on the 2009 feature film. Monsters against aliens. This led to 2012 Rise of the Guardians, who transformed the myths of childhood into a Avengers– like a team of action heroes. The central character was not Santa Claus, the Easter Bunny or the Tooth Fairy, but Jack Frost (voiced by Chris Pin), who gives kids snowy days but isn’t someone kids necessarily believe in. He hardly believes in himself.